Bibliography MLA for my essay “Cinema of Enduring Cruelty: An evaluation on the use of the long take in Poppe’s Utøya 22 July and Haneke’s Hidden”

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Blumenthal‐Barby, Martin. “The Complicit Gaze: Michael Haneke’s Cinema of Guilt.” The German Quarterly, vol. 89, no. 2, 2016, pp. 202-220.

Celik, Ipek A. “”I Wanted You to be Present”: Guilt and the History of Violence in Michael Haneke’s “Caché”.” Cinema Journal, vol. 50, no. 1, 2010, pp. 59-80.

Connolly, Kate. “Utøya Massacre Re-Enactment Stuns Berlin Audiences.” The Guardian, 2018.

Daney, Serge. “The Tracking Shot in Kapo.” Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema, vol. 30, 2004.

Ebert, Roger. “Irreversible Movie Review & Film Summary (2003) | Roger Ebert.” RogerEbert.com, 14 Mar. 2003, http://www.rogerebert.com/reviews/irreversible-2003.

Gibbs, John, and Pye, Douglas. “Introduction 1: The Long Take – Critical Approaches” found in The Long Take: Critical Approaches. 1st ed., Palgrave Macmillan, 2017.

Grossvogel, D. I. “Haneke: The Coercing of Vision.” Film Quarterly, vol. 60, no. 4, 2007, pp. 36.

Kinsman, R. P. “She’s Come Undone: Chantal Akerman’s Jeanne Dielman, 23 Quai Du Commerce, 1080 Bruxelles (1975) and Countercinema.” Quarterly Review of Film and Video, vol. 24, no. 3, 2007, pp. 217-224.

Lebrecht, Norman. “Out of the Archives : The Horror Film That Hitchcock Couldn’t Bear to Watch.” Sunday Times, 1984.

 

Mitchell, Wendy. “Utoya Massacre Film ‘U – July 22’ Will Focus on “the Young People”, Says Director.” Screen International, 2018.

 

Palmer, Tim. “Style and Sensation in the Contemporary French Cinema of the Body.”Journal of Film and Video, vol. 58, no. 3, 2006, pp. 22-32.

Price, Brian. “Dossier on Michael Haneke: Pain and the Limits of Representation.”Framework, vol. 47, no. 2, 2006, pp. 22-29, 35-48, 51-59, 66-79, 127-145.

Pritchard, Tiffany. “It was ‘Important’ to make Utoya Massacre Film ‘U-July 22’, Says Survivor.” Screen International, 2018.

Rhodes, John D. “Haneke, the Long Take, Realism.” Framework: The Journal of Cinema and Media, vol. 47, no. 2, 2006, pp. 17-21.

Rivette, Jacques. “On Abjection”. Cahiers du cinema vol. 120, 1961, pp. 54-55. (Translated by David Phelps with the assistance of Jeremi Szaniawski.)

Robson, Melanie. “Complicity, Intimacy and Distance: Re-Examining the Active Viewer in Michael Haneke’s Amour.” Studies in European Cinema, vol. 14, no. 2, 2017, pp. 103.

Saint-Cyr, Marc. “Slow Fuse: The Cinematic Strategies of Tsai Ming-Liang.” Cineaction, no. 85, 2011, pp. 9-14.

Speck, Oliver C. “The Moral of the Long Take” Funny Frames: The Filmic Concepts of Michael Haneke. Bloomsbury Publishing, London, 2010, pp. 178-182.

Sontag, Susan. Regarding the pain of others. New York: Picador, 2003

Stewart, Garrett. “Pre-War Trauma: Haneke’s “the White Ribbon”.” Film Quarterly, vol. 63, no. 4, 2010, pp. 40-47.

Thorpe, Vanessa. “Utøya Survivor: Anders Breivik Massacre Films ‘Don’t Tell Full Story’.”The Observer, 2018.

Uricaru, Ioana. “”4 Months, 3 Weeks and 2 Days”: The Corruption of Intimacy.” Film Quarterly, vol. 61, no. 4, 2008, pp. 12-17.

Wood, Chris. “Realism, Intertextuality and Humour in Tsai Ming-Liang’s Goodbye, Dragon Inn.” Journal of Chinese Cinemas, vol. 1, no. 2, 2007, pp. 105-116.

Wynter, Kevin. “Excesses of Millennial Capitalism, Excesses of Violence: Several Critical Fragments regarding the Cinema of Michael Haneke.” Cineaction, no. 70, 2006, pp. 39-45.

Yervasi, Carina. “Dislocating the Domestic in Chantal Akerman’s Jeanne Dielman.” Sites: The Journal of Twentieth-Century/Contemporary French Studies Revue d’Études Français, vol. 4, no. 2, 2000, pp. 385.

 

Filmography

Akerman, Chantal, director. Jeanne Dielman: 23, Quai Du Commerce, 1080 Bruxelles. New Yorker Films, 1975.

Bernstein, Sidney, director. Memories of the Camps (AKA) German Concentration Camps Factual Survey, British Film Institute, Imperial War Museum, 3 Generations (2017 North American release), 1945.

Greengrass, Paul, director. July 22, Netflix, 2018

Haneke, Micheal, director. Funny Games, Concorde-Castle Rock/Turner,1997

Haneke, Micheal, director. Hidden, Les films du losing, 2005 .

Haneke, Micheal, director. Code Unknown. MK2 Editions, Artificial Eye, Leisure Time Features, 2000.

Hitchcock, Albert, director. Rope Transatlantic Pictures, 1948

Ming-liang, Tsai, director. The Wayward Cloud. 20th Century Fox (Taiwan) Axiom Films (UK and Ireland), 2005.

Mungiu , Cristian, director. 4 Months, 3 Weeks and 2 Days. BAC Films, 2007.

Noé, Gaspar, director. Irréversible. Les Cinémas De La Zone, 2002.

Poppe, Erik, director. Utøya July 22, Nordisk Film, 2018.

Wells, Orson, director. Touch of Evil. Universal Pictures, 1958.

 

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